{"id":4274,"date":"2024-10-04T21:52:16","date_gmt":"2024-10-04T21:52:16","guid":{"rendered":"https:\/\/movieguy247.com\/MovieGuy\/?p=4274"},"modified":"2024-11-02T21:55:39","modified_gmt":"2024-11-03T01:55:39","slug":"joker-folie-a-deux","status":"publish","type":"post","link":"https:\/\/movieguy247.com\/MovieGuy\/2024\/10\/04\/joker-folie-a-deux\/","title":{"rendered":"Joker: Folie a Deux"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-5022\" src=\"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Joker-Folie-a-Deux-PIC.jpg?resize=620%2C348&#038;ssl=1\" alt=\"\" width=\"620\" height=\"348\" srcset=\"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Joker-Folie-a-Deux-PIC.jpg?w=620&amp;ssl=1 620w, https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Joker-Folie-a-Deux-PIC.jpg?resize=300%2C168&amp;ssl=1 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Joker: Folie a Deux<\/strong> (2024)\u00a0\u00a0\u00a0 Warner Bros.\/Action-Thriller-Musical\u00a0\u00a0\u00a0 RT: 138 minutes\u00a0\u00a0\u00a0 Rated R (some strong violence, language throughout, some sexuality, brief full nudity)\u00a0\u00a0\u00a0 Director: Todd Phillips\u00a0\u00a0\u00a0 Screenplay: Scott Silver and Todd Phillips\u00a0\u00a0\u00a0 Music: Hildur Gudnadottir\u00a0\u00a0\u00a0 Cinematography: Lawrence Sher\u00a0\u00a0\u00a0 Release date: October 4, 2024 (US)\u00a0\u00a0\u00a0 Cast: Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener, Zazie Beetz, Steve Coogan, Harry Lawtey, Jacob Lofland, Ken Leung, Bill Smitrovich, Leigh Gill, Sharon Washington.<\/p>\n<p style=\"text-align: justify;\"><strong>Rating<\/strong>: * \u00bd<\/p>\n<p style=\"text-align: justify;\">\u00a0The first Joker, one of the best films of the 2010s, grossed over $1 billion worldwide, $335.5M in North America alone. There\u2019s no way the sequel <strong>Joker: Folie a Deux<\/strong> will come anywhere close to those numbers once word of mouth gets out. In simple terms, it\u2019s lame.<\/p>\n<p style=\"text-align: justify;\">\u00a0Todd Phillips returns as director and co-writer of <strong>Joker: Folie a Deux<\/strong>, a follow-up to the outstanding 2019 original that\u2019s inferior in every conceivable way. It can be likened to a patient in a psych ward rendered catatonic by strong doses of Thorazine. The first movie pulsated with manic energy, most of it courtesy of Joaquin Phoenix who won an Oscar for his turn as the title character. He took the role and owned it by depicting Joker as an extremely violent individual with mental illness rather than a comic book supervillain. He had complete control even in his most out of control moments no matter how OTT. This time, he\u2019s too subdued. He\u2019s like the aforementioned patient on Thorazine.<\/p>\n<p style=\"text-align: justify;\">\u00a0The story picks up about two years after the events of the first movie. Arthur Fleck is in custody at Arkham Asylum awaiting trial for the five murders he committed. His attorney (Keener, Get Out) plans to plead him not guilty by reason of insanity. Fleck doesn\u2019t seem to care one way or the other. He\u2019s what you might call medically emasculated.<\/p>\n<p style=\"text-align: justify;\">\u00a0One day, things change for Arthur. He develops a sudden case of love at first sight when he spots a female patient (Gaga, A Star Is Born) in the music therapy room. A very disturbed woman, she and Arthur make an instant connection.<\/p>\n<p style=\"text-align: justify;\">\u00a0We all know love does funny things to people. In many cases, they\u2019re taken to flights of fancy. I guess that would go double for those who are already delusional. By now, everybody has heard that <strong>Joker: Folie a Deux<\/strong> is a musical. It is, but not in the sense that the entire cast breaks into song and dance. Rather, the musical numbers are presented as private fantasies that Joker and Harley slip into when reality gets to be too much. None of them are original songs; all of them are pre-existing pop tunes by Stevie Wonder (\u201cFor Once in My Life\u201d), Burt Bacharach (\u201cWhat the World Needs Now Is Love\u201d), The Carpenters (\u201cClose To You\u201d) and The Bee Gees (\u201cTo Love Somebody\u201d).<\/p>\n<p style=\"text-align: justify;\">Sadly, this is one of the most disappointing aspects of <strong>Joker: Folie a Deux<\/strong>, a movie of many missed opportunities. Phillips had a chance to go totally bat-s*** crazy by setting the insanity to musical numbers. Instead, he doesn\u2019t lean into it at all. None of the numbers stand out; they\u2019re all underwhelming. It\u2019s been less than 24 hours since I saw the movie and I couldn\u2019t tell you a single thing about any of them.<\/p>\n<p style=\"text-align: justify;\">\u00a0One of things I like best about the first Joker is how Phillips openly references Martin Scorsese, Taxi Driver and The King of Comedy in particular. It has a gritty, realistic feel with a Gotham City that resembles pre-Giuliani NYC. It wears its nihilism like a badge of honor. All of that is gone in <strong>Joker: Folie a Deux<\/strong>. It\u2019s flat and boring. Most of it is set inside dull, drab Arkham where the guards easily outnumber the medical staff. I don\u2019t think I saw a single doctor in the place. It may as well be a prison. When the film leaves the asylum, it goes to the courtroom where young DA Harvey Dent (Lawtey, Industry) calls witness after witness against Dent. The characters spend very little time on the streets of Gotham and even less outside the courthouse where Joker\u2019s supporters are going crazy. That\u2019s where the energy is. The movie desperately needs it.<\/p>\n<p style=\"text-align: justify;\">\u00a0<strong>Joker: Folie a Deux<\/strong> marks the second failure in a row for Phoenix. To be fair, the first isn\u2019t entirely his fault. It\u2019s Ridley Scott\u2019s. He\u2019s the one who thought it was a good idea to cast the actor as Napoleon Bonaparte. It was miscasting on a large scale. <strong>Joker: Folie a Deux<\/strong> is mostly on Phoenix although Phillips does share the blame for his lazy direction. Joaquin doesn\u2019t isn\u2019t feeling it this time. He doesn\u2019t go full-out Joker. Sure, he does the laugh a few times and the dance at least once, but he dials it down more than he should.<\/p>\n<p style=\"text-align: justify;\">\u00a0Gaga isn\u2019t terrible as the future Harley Quinn. She\u2019s not that good either. She puts forth a little more effort than her co-star, but only when she\u2019s on-screen which isn\u2019t too often. I realize she\u2019s not Harley Quinn just yet, but I expected a little more from the Joker\u2019s female counterpart and soulmate. Steve Coogan (The Trip) is wasted as a sensationalistic journalist who interviews Arthur in one scene. The only one who doesn\u2019t disappoint is Brendan Gleeson (In Bruges) as the sadistic head guard. He is convincingly repellant.<\/p>\n<p style=\"text-align: justify;\">\u00a0Occasionally, <strong>Joker: Folie a Deux<\/strong> shows signs of life. The opening is a salute to the old Looney Tunes cartoons complete with the old WB logo, the classic intro music and the style of animation. It\u2019s a promising start that yields no dividends. There\u2019s no follow-through. It doesn\u2019t have any great standout scenes like the subway shooting in the first movie. Even the sequence near the end when Joker is on the loose in Gotham is a great big zero.<\/p>\n<p style=\"text-align: justify;\">\u00a0I wanted to love <strong>Joker: Folie a Deux<\/strong> in the worst way. The first one, which I rewatched over the weekend, is awesome in its total subversiveness. It\u2019s a non-superhero movie if that makes sense. The sequel is simply a non-movie. There is so much missed potential. I\u2019d actually like to forget it ever happened. It&#8217;s one of the year&#8217;s biggest disappointments.<\/p>\n<p style=\"text-align: justify;\">TRIVIA NOTE: The title Folie a Deux translates to \u201cMadness for Two\u201d.<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-5021\" src=\"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Joker-Folie-a-Deux-POSTER.jpg?resize=620%2C918&#038;ssl=1\" alt=\"\" width=\"620\" height=\"918\" srcset=\"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Joker-Folie-a-Deux-POSTER.jpg?w=620&amp;ssl=1 620w, https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Joker-Folie-a-Deux-POSTER.jpg?resize=203%2C300&amp;ssl=1 203w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joker: Folie a Deux (2024)\u00a0\u00a0\u00a0 Warner Bros.\/Action-Thriller-Musical\u00a0\u00a0\u00a0 RT: 138 minutes\u00a0\u00a0\u00a0 Rated R (some strong violence, language throughout, some sexuality, brief full nudity)\u00a0\u00a0\u00a0 Director: Todd Phillips\u00a0\u00a0\u00a0 Screenplay: Scott Silver and Todd Phillips\u00a0\u00a0\u00a0 Music: Hildur Gudnadottir\u00a0\u00a0\u00a0 Cinematography: Lawrence Sher\u00a0\u00a0\u00a0 Release date: October 4, 2024 (US)\u00a0\u00a0\u00a0 Cast: Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener, Zazie Beetz, Steve [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5021,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-4274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-action-adventure"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Joker-Folie-a-Deux-POSTER.jpg?fit=620%2C918&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/posts\/4274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/comments?post=4274"}],"version-history":[{"count":2,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/posts\/4274\/revisions"}],"predecessor-version":[{"id":5023,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/posts\/4274\/revisions\/5023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/media\/5021"}],"wp:attachment":[{"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/media?parent=4274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/categories?post=4274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/tags?post=4274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}