{"id":7957,"date":"2024-11-02T20:08:12","date_gmt":"2024-11-03T00:08:12","guid":{"rendered":"https:\/\/movieguy247.com\/MovieGuy\/?p=7957"},"modified":"2024-11-02T20:08:12","modified_gmt":"2024-11-03T00:08:12","slug":"babylon","status":"publish","type":"post","link":"https:\/\/movieguy247.com\/MovieGuy\/2024\/11\/02\/babylon\/","title":{"rendered":"Babylon"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8025\" src=\"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Babylon-PIC.jpg?resize=620%2C348&#038;ssl=1\" alt=\"\" width=\"620\" height=\"348\" srcset=\"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Babylon-PIC.jpg?w=620&amp;ssl=1 620w, https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Babylon-PIC.jpg?resize=300%2C168&amp;ssl=1 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Babylon <\/strong>(2022)\u00a0\u00a0\u00a0 Paramount\/Comedy-Drama\u00a0\u00a0\u00a0 RT: 188 minutes\u00a0\u00a0\u00a0 Rated R (strong and crude sexual content, graphic nudity, bloody violence, drug use, pervasive language)\u00a0\u00a0\u00a0 Director: Damien Chazelle\u00a0\u00a0\u00a0 Screenplay: Damien Chazelle\u00a0\u00a0\u00a0 Music: Justin Hurwitz\u00a0\u00a0\u00a0 Cinematography: Linus Sandgren\u00a0\u00a0\u00a0 Release date: December 23, 2022 (US)\u00a0\u00a0\u00a0 Cast: Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, Eric Roberts, Tobey Maguire, Ethan Suplee, Lukas Haas, Max Minghella, Samara Weaving, Katherine Waterston, Olivia Wilde, Spike Jonze, Flea, Jeff Garlin, Olivia Hamilton, P.J. Byrne, Rory Scovel, Telvin Griffin, Chloe Fineman, Phoebe Tonkin, Patrick Fugit.\u00a0\u00a0\u00a0 Box Office: $15.4M (US)\/$63.4M (World)<\/p>\n<p style=\"text-align: justify;\"><strong>Rating<\/strong>: ***<\/p>\n<p style=\"text-align: justify;\">\u00a0I have so much to say about <strong>Babylon<\/strong>, the latest film from writer-director Damien Chazelle (La La Land), it\u2019s hard to know where to begin. Granted, writing the intro is the hardest part of any review, but it\u2019s doubly difficult when the movie in question is a veritable maelstrom. That\u2019s the state my mind was in as <strong>Babylon <\/strong>reached the end of its epic-length running time of more than three hours. It\u2019s a lot.<\/p>\n<p style=\"text-align: justify;\">\u00a0In his most ambitious film to date, Chazelle has composed both a love note and poison pen letter to Hollywood and the often arduous craft of filmmaking. Both cynical and celebratory, <strong>Babylon<\/strong> is a flawed but fascinating multi-character piece set during the period when the industry was making the transition from silent movies to sound (circa the late 20s\/early 30s). A lot changed with the rise of \u201ctalkies\u201d and not all of it was good. This new innovation, while successful with the public, was a career death knell for some.<\/p>\n<p style=\"text-align: justify;\">\u00a0Don\u2019t ask about the plot; there isn\u2019t one. <strong>Babylon <\/strong>is like a hyper version of Robert Altman with Baz Luhrmann stylistic touches. It has a few intersecting storylines in which characters\u2019 paths cross as they try to either achieve fame or hold onto it as it fades. Characters like Manny Torres (Calva, Narcos: Mexico), a Mexican-American working odd jobs- like transporting an elephant to a lavish party at a film exec\u2019s mansion- for industry folks in hopes of making it as a filmmaker. The party is one of those wild, hedonistic affairs where literally anything goes. At the party, he meets Nellie LaRoy (Robbie, Once Upon a Time in Hollywood), a brash aspiring starlet with dreams of stardom. She\u2019s determined to get her foot in the door by any means. Later, he\u2019s tasked with driving home a drunken VIP guest, big movie star Jack Conrad (Pitt, Once Upon a Time in Hollywood). He\u2019s the guy who gets Manny his first on-set job, corralling about 100 unruly extras on a historical epic. Also in attendance are flamboyant gossip columnist Elinor St. John (Smart, Designing Women), jazz trumpeter Sidney Palmer (Adepo, Fences), suicidal movie producer George Munn (Haas, Witness) and lesbian cabaret singer\/intertitle writer Lady Fay (Li, Quantico).<\/p>\n<p style=\"text-align: justify;\">\u00a0Chazelle follows these people over a course of about ten years. Manny works his way up the ranks while Nellie experiences a meteoric rise and fall. The latter comes about due to a combination of bad behavior (drugs and gambling) and difficulty making the jump to sound. Manny, tasked with cleaning up her public image, puts her in the capable hands of Elinor, but Nellie is no Eliza Doolittle. Like many a superstar throughout cinema history, Jack goes from top Hollywood player to has-been. Used to being on top, he struggles to accept his new reality.<\/p>\n<p style=\"text-align: justify;\">\u00a0<strong>Babylon<\/strong> is a mess, but it\u2019s an interesting mess. It\u2019s uneven in tone with its tales of tragedy and lowbrow humor involving vomit, bodily fluids and elephant excrement. I don\u2019t recall ever seeing a \u201cgolden shower\u201d depicted in a mainstream film&#8230;. that is, until now.\u00a0 It\u2019s long, but never boring. Quite the opposite, you can\u2019t look away from all the sin, drama and debauchery. More than once, <strong>Babylon<\/strong> descends into total weirdness, the zenith being Tobey Maguire\u2019s character. In his weirdest role to date, the former Spider-Man actor plays an unhinged mobster to whom Nellie owes an $85K gambling debt. He\u2019s the kind of guy you laugh at in an attempt to keep your skin from crawling. There\u2019s also a bit where Nellie fights a rattlesnake with disastrous\/hilarious results.<\/p>\n<p style=\"text-align: justify;\">\u00a0Pitt and Robbie are both terrific in their respective roles. Pitt, a superstar in his own right, embodies the once-famous actor who can\u2019t even get anyone to take his calls now. When he does get an offer, it\u2019s one of those last resort deals. He brings his usual swagger and suave charm to a secretly insecure person hiding behind a bigger-than-life fa\u00e7ade. Robbie does excellent work as the loud, profane girl from Jersey who just wants to be loved by everybody. She\u2019s able to cry on cue, even control the number of tears shed, but her talent doesn\u2019t extend beyond the silent screen. Calva delivers a star-making performance as Manny, the smartest person in any given situation. Resourceful and adept at improvising solutions, he\u2019s also a guy in love with a girl who uses his feelings to her own advantage. Li\u2019s character is the most interesting and the least developed. I wanted to see more of her.<\/p>\n<p style=\"text-align: justify;\">\u00a0As a film geek, I really loved the scenes showing movies being made. They accurately depict how difficult it often is to get a scene on film, whether it\u2019s a lack of working cameras or constant noise interruptions on a set with sensitive recording equipment. Director Spike Jonze (Being John Malkovich) cameos as a crazed German filmmaker making a silent historical epic. It\u2019s funny and accurate at the same time.<\/p>\n<p style=\"text-align: justify;\">\u00a0<strong>Babylon<\/strong> brims with energy thanks to fluid cinematography by Linus Sandgren and excellent editing by Tom Cross. The period production design by Florencia Martin adds a strong note of authenticity. The score by Justin Hurwitz, alternately jazzy and beautiful, gives <strong>Babylon<\/strong> an opera-like quality. There\u2019s a lot to like here even if it gets away from Chazelle more than once. He\u2019s a great filmmaker, but he may have overreached with this one. It veers out of control at several points. As for the ending, I\u2019ll only say you\u2019ll never look at Singing in the Rain the same way again.<\/p>\n<p style=\"text-align: justify;\">\u00a0Overall, <strong>Babylon<\/strong> is a good guilty pleasure, a flawed masterpiece that will likely be revered twenty years from now.<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8024\" src=\"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Babylon-POSTER.jpg?resize=620%2C918&#038;ssl=1\" alt=\"\" width=\"620\" height=\"918\" srcset=\"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Babylon-POSTER.jpg?w=620&amp;ssl=1 620w, https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Babylon-POSTER.jpg?resize=203%2C300&amp;ssl=1 203w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Babylon (2022)\u00a0\u00a0\u00a0 Paramount\/Comedy-Drama\u00a0\u00a0\u00a0 RT: 188 minutes\u00a0\u00a0\u00a0 Rated R (strong and crude sexual content, graphic nudity, bloody violence, drug use, pervasive language)\u00a0\u00a0\u00a0 Director: Damien Chazelle\u00a0\u00a0\u00a0 Screenplay: Damien Chazelle\u00a0\u00a0\u00a0 Music: Justin Hurwitz\u00a0\u00a0\u00a0 Cinematography: Linus Sandgren\u00a0\u00a0\u00a0 Release date: December 23, 2022 (US)\u00a0\u00a0\u00a0 Cast: Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, Eric Roberts, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8025,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,9],"tags":[],"class_list":["post-7957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dramas","category-guilty-pleasures"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/movieguy247.com\/MovieGuy\/wp-content\/uploads\/2024\/10\/Babylon-PIC.jpg?fit=620%2C348&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/posts\/7957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/comments?post=7957"}],"version-history":[{"count":3,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/posts\/7957\/revisions"}],"predecessor-version":[{"id":8027,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/posts\/7957\/revisions\/8027"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/media\/8025"}],"wp:attachment":[{"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/media?parent=7957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/categories?post=7957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieguy247.com\/MovieGuy\/wp-json\/wp\/v2\/tags?post=7957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}